Usually called cassoni today (but known as forzieri in Renaissance Florence), the chests were used to transport the wedding goods—dowry and groom gifts—during the wedding procession and to store them once the bride and groom had settled into their new home. This popular story was a frequent choice for marriage chests: Daphne was considered a positive example of chastity and Apollo is a symbol of both power and eternal love. It would be interesting to explore whether this was almost exclusively an upper-class phenomenon or if the lower-classes also layered their marital alliances with a veneer of sentiment. As we can see from the items in this gallery, another popular choice for narrative scenes comes from the classical tradition—Homer, Virgil, and Ovid, for example. Art, Marriage, and Family in the Florentine Renaissance Palace, explores the social and economic background to marriage in Renaissance Florence and discusses the objects—paintings, sculptures, furniture, jewelry, clothing, and household items—associated with marriage and ongoing family life. In this exhibition, we have a panel by Apollonio di Giovanni di Tomaso that depicts the well-known story of Apollo and Daphne from Ovid’s Metamorphoses. The emergence of Medici rule and the image of the Medici as aristocrats (although they lacked this pedigree in official terms) can be seen as the result of a conscious plan that began during the reign of Cosimo, who commissioned artwork and buildings for the purpose of imprinting his image and his family’s name on the city of Florence — or in modern terms, what we might call “brand recognition.” To this end, Cosimo also heavily patronized public festivals — so much so that these events became symbolically linked with the family’s name. In brief, Lisabetta is a young, beautiful, and educated girl who lives in Messina (a city in Sicily) with her three brothers, wealthy merchants who have inherited all their father’s estate. Offended, Cupid decides to show Apollo exactly what he is capable of with his bow and arrow, piercing him with his golden arrow of love, intending for the boastful god to fall in love with the beautiful nymph Daphne. For most people, however, A wealthy merchant could not, for example, simply ‘earn’ status as a noble, even if he became the city’s richest man. This family’s fortune began in the 14th century, prospering in the textile trade guided by the wool guild of Florence, the Arte della Lana (one of those seven major guilds). Lisabetta despairs in his absence, until Lorenzo visits her in a dream with torn and rotting clothes, alluding to his decomposition, and tells her where to locate his body. Interestingly, no other depictions of this story are known to exist, although tales taken from Boccaccio’s Decameron were a popular content choice for marriage chests because they were highly recognizable in Florentine society — meaning that the lessons imparted would have been easily conveyed. importance diamonds and pearls were in fashion decorating rings necklaces and medallions frequently jewelers were inspired by plant and animal objects for their designs love and marriage in renaissance italy english edition ebook fred stern amazonde kindle shop in fact teen marriages were quite routine if you remember your shakespeare After its commission, the chest would have Read More. Ranging from jewellery to ceramics, most are precious items that would have belonged to the wealthy. You can do this by opening the Important Unitspage in the game, from there click on 'The best candidates for [player's name]'. In September 2018, I was asked by the Chazen Museum of Art to give a talk in honor of their exhibit, “Life, Love, and Marriage in Renaissance Italy.”, From the Chazen website: “Organized by the Museo Stibbert and Contemporanea Progetti in Florence, Italy, the Chazen Museum of Art will host an exhibition of Italian wedding chests, also known as cassoni. Last Version Love And Marriage In Renaissance Italy Uploaded By Roald Dahl, many famous italian renaissance artworks were made to celebrate love and marriage they were the pinnacles of a tradition dating from the early renaissance of commemorating betrothal marriage and the birth of a child by commissioning extraordinary objects or He speaks of women in courtly circles independently commissioning household objects and decorations and tellingly ends his book The Italian Renaissance Interior, 1400-1600 with a section entitled 'Women's Influence,' in which he asserts that women had a profound, if less obvious, affect on the household environment. Families that commissioned such marriage chests were not ‘humanists’ per se (that is, they were not necessarily actively seeking humanistic pursuits in a traditional sense) — rather, they were seeking to obtain a measure of honor that connected to educational and literary attainment that had the power to reshape self-perception, reputation, and even the social position of the family—in a sense, a measure of honor that we can define as “cultural legitimacy” (a term I borrow from Sarah Gwyneth Ross). love and marriage in renaissance italy Nov 09, 2020 Posted By Ken Follett Publishing TEXT ID 23846569 Online PDF Ebook Epub Library and marriage in renaissance florence the courtauld wedding chests presented rarely seen italian 16th century design drawings for furniture household objects and of two individuals. Title: Marriage chest (cassone) Date: ca. Credit Line: Rogers Fund, 1916. 1480–95. in Renaissance Italy, a sum of money given by a wife's family to her husband upon marriage. 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